5 things I love about Polaroid

Here is my bold take: Polaroid is fun. It is unique, unusual and …(wait for it) instant!

I came to shooting Polaroid through my love to film photography. I was curious to try other film formats, and eventually turned my attention to instant.

Your story may be different. But with instant photography it doesn’t really matter. Polaroid can appeal to any photo enthusiast.

Let me show what I mean by sharing 5 things I love about Polaroid.

I believe these are great reasons for you to try it too.

1. Instant gratification

You love immediate results like in digital? Me too.

With Polaroid you get as close to digital immediacy as possible. Though film has taught me some patience I wouldn’t say no to seeing my picture right away.

Modern instant emulsion still requires some time to develop in the dark but hey, 10 minutes are a small price to pay. Especially when the result is not your typical negative. It is a…

2. Physical print

This is one of the coolest features of Polaroid. It gives you a real print of your photo!

Say what you will, but printing you photos is special and I would argue important. It allows you to see your work from a new perspective.

We carry hundreds of photos in our phones but how often do you open the gallery app to browse through them?

Put your Polaroid print on a fridge and you will enjoy that picture any time you pass by.

3. Vintage look

I fancy the instant look a lot.

It is unique and recognizable, especially if you had seen Polaroids before.

This colour palette gives me some nostalgia vibes. Though my family didn’t have a Polaroid camera back in the day, it’s my mid-90’s childhood all over again!

4. Ease of use

Polaroid cameras are very simple and easy to use. My son could snap a picture when he was 4!

The film itself comes in very handy cartridges and your chances of loading them the wrong way are very slim.

Analogue photography may not always be friendly to newcomers. There is a thing or two you’ll need to learn first.

With Polaroid you don’t need that. Most of the time.

You will need a certain amount of skill to nail those pictures right though but the learning curve is quite shallow.

5. Originality

“Be original. Be Polaroid.”

This was (and maybe still is) Polaroid’s slogan several years ago and I couldn’t agree more.

Everything about the Polaroid experience is different from your common photography.

Cameras attract attention and spark conversations, trust me.

The pictures look special and they are unique in the very sense of the word: the photo you have is the only copy there is.

Also, who in this world of smartphones and DSLRs would choose to shoot this? Only a very original artistic soul.

Well, there you have it. Major reasons that motivate me to pick that OneStep camera of mine and snap a pack once in a while. Like I said, Polaroid is fun.

And I’m curious to know what you think? Do you shoot Polaroid and why? Why not?

Things I’ve learned while preparing my first exhibition

Ten pictures. Small room. The potential audience of 200 people. This is the scope of my first exhibition but who cares. It’s the first time ever when my photos are going to be displayed in real life to people who are not my family.

The show is still about two weeks away but I’ve already started preparing and thought I would share some of the “discoveries” I made during that stage.

The first fact – my scans are too small. Back when I started scanning my negatives, I would laugh at the idea of scanning in RAW. It seemed unnecessary and excessive because I usually scan everything from the roll, and every photo of that quality weighs around 150 Mb. Posting pictures online requires resizing them down anyway, so for the sakes of speed and storage, my scanned images are only good for some A5 size prints. As for the exhibition, we are talking 40×50 cm here, so definitely I had to rescan selected frames again.

Next thing is editing. It should be mentioned that I rarely edit my photos. Due to a combination of my laziness and some hippie-dippie natural approach to analogue photography, I’ve learned to accept the results I get and not to fool everyone by post-editing them. I do adjust contrast or levels though just because the scanner itself is not a perfect tool.

Anyway, with those untouched fresh scans, I would have to do a lot of corrections. And I did. I spent an evening adjusting those sliders in order to get the results I wanted.

Another discovery – printing can be hard. I’ve had very little prior experience with photo labs in terms of large format printing. All I always did was to bring my USB stick to them, choose all the pictures and order prints of some 4×6 or 8×10. That’s it, no extra questions except for maybe the paper type.

This time, they were going to use a plotter, and because of that, I’d assume, a guy from the lab opened my pictures in his Photoshop and started adjusting them. Again. Also maybe because I told him they were for the exhibition, in this case, he’s such a sweet person. I have to admit his adjustments were merely tweaks and I agree with all of them, but for the future, I realized I didn’t need to do all that work at home.

Maybe if only I had an ideally calibrated screen, then yeah, no extra messing around with my perfect pics. Otherwise, I trust their experience.

One last bit for today is actually my mistake rather than a discovery. While choosing, scanning and editing the photos, I hardly imagined true proportions of the prints I was going to get. I didn’t even crop them before the lab, so when we sat down with the guy and his Photoshop to choose which picture gets what size, I had to make some sacrifices in frame space. The vertical ones suffered the most in my opinion but fortunately, not to the point of discarding the whole picture. Just another note to myself to crop my photos beforehand.

As I mentioned in the beginning, the exhibition is planned for the end of December, and there’s some work to be done before that, including framing those prints. I’m looking forward to the whole thing, and definitely will post about it later.

600 km for 6 litres

Some time ago my C-41 kit started showing the signs of exhaustion, and I ordered a new one.

While the package was on its way I had a problem to solve: getting rid of the old chemicals.

If you search online for advice on how to recycle photo chemistry, the answers range from “just dump it into the drain” to more reasonable “take it to a special place”. The first type of answers is definitely unacceptable but the second one exposed another problem for me. I don’t have any special place around.

Then I thought hey, there is a lab at work, they definitely have to recycle their chemicals! So I asked at the lab. Turned out their chemistry was organic and mine is not (or the other way around) and I couldn’t use them to get rid of my stuff.

Then I started inquiring about any place that recycles my kind of chemistry and was told there is a factory somewhat 300 km away from me that should do it. Suddenly a seemingly simple task of recycling photo chemicals turned into an Odyssey.

Practically, driving 600 km just to try to get rid of my 6 litres doesn’t make any sense, and honestly, for a moment I just thought of dumping the whole thing. In theory though, if I wait for my next kit to go, I will have a bit more significant amount to deal with and maybe then I’ll try.

Anyway, I’ve put those litres away for now but the whole story made me think about my own environmental impact from photography. I’ll write another time about it.


This is how I feel about my photography right now and it shows. I’ve had these two rolls of Fuji Superia 400 in my drawer for 9 months before I developed them and scanned today. Nine months! That’s a whole pregnancy right here. Why it took so long you wonder?

Well, no serious reasons to be honest. First my colour chemistry started failing and I didn’t want these rolls to come out wacky. So I had to order a new set. It took time to arrive, then it took time to mix it which literally happened yesterday.

All these steps don’t take months to complete but they did in my case because I wasn’t organised enough.

As a result, I have a practically expired film with signs of bad treatment: grain, washed-out colours etc. I don’t care that much about those esthetically but it just bums me out that all this fresh chemistry was used for some tired film to receive some subpar results. I’m disappointed not in the film but in myself.

Visual overload

I don’t feel the energy to take pictures. Or is it laziness? I’ve been thinking about it for a long time and never could nail it. I love photography, I want to shoot or rather I would like to do it but instead I’m just doing other things. Podcasting, streaming, board gaming, reading etc but not shooting pictures.

Does it mean I’m burnt out or just my dedication and love for photography were not true? Why don’t I feel that tinkling every time I think about developing film or scanning it? What’s wrong?

Continue reading “Visual overload”

Ads ruined Instagram for me

Right at the top I want to be clear that I’m not against ads on the internet in general, I know why we need them and what they do. What I want to make my point about is the level of tolerance.

Now, let me go back a little and give you the context. For the last several months I’ve been mostly using Instagram for my social media fix, and for posting too, as you can easily guess by the date of my previous post here. I love the concept of Instagram, and I would even argue that it is a better platform for me to share whatever I shoot these days. It’s quicker and simpler and it’s photo oriented.

But today is the day I start drifting away from Instagram and the reason is ads. I don’t remember when they started popping up in my feed, I couldn’t care less for them. Occasionally, I would even stop scrolling and watch them a bit, and for some time seeing ads was fine with me. Untill I noticed a thing, or rather the thing. I saw that now I tend to see too many promotions when I scroll down to catch up with my feed. I got curious and actually counted how often they appear.

Every 3 posts. Three. I don’t know about you, but to me it seems a bit too much. At some point, especially if I look through a day worth of posts, I get the feeling I see only ads.

This discovery made me decide to leave Instagram or at least use it less, which is a great bummer considering my love for the idea. I strongly believe that Facebook have gone a little too far in their greed attempt to keep Instagram free and yet profitable.

Now, when I’m on my way out, there are only two platforms left that didn’t disappoint me yet. Those are WordPress and Twitter. Though I’ve always had troubles figuring out Twitter, I see how it can be a place for me to share my photography and more importantly connect with people. As for the WP, the whole insta debacle reminded me how great the Reader feature is, and that on mobile it even resembles a social media feed.

So this is it. As much as I would like to use Instagram, my tolerance for the number of ads was abused and I don’t feel like coming to terms with this. I’ve practically left Facebook years ago and didn’t feel any need to come back, but with Instagram the break up is not going to be that easy.

Shooting an event helped me love my digital camera again.

Sometimes good things come from an unexpected side. A couple of weeks ago the company I’m working for had an event for the kibbutz it’s based in, and I was asked to take some pictures despite the fact they had invited a photographer.

I’m not a professional in the sense that I don’t do gigs but this case was different so I agreed.

To be honest, it wasn’t the first time I was asked to do something like that. I made a short video of the Purim carnival several months ago, but no photos. This time it was right up my alley.

Continue reading “Shooting an event helped me love my digital camera again.”