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Kodak Eastman Double-X 200
Boy, it’s been a long time! I don’t even want to check how long, the number wouldn’t matter really, it’s the feeling.
And it feels like forever since I developed a roll of film. It also feels good to be doing it again after all this time….
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I waste a lot of time doing things I shouldn’t be doing at the moment or at all. It may not be true for everyone but it is for me.
With so many things happening in life it’s almost a crime to waste time. Yet I find myself doing exactly that more often than I’d like.
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Today, April 30, is exactly 4 years since I moved to Israel from Russia. It was a great decision and a huge change both to my life and my photography.
And I’m back with the shots! As I said in the previous post, I took the risk and went for the development times for Rollei Retro 400S to process my Svema Foto 400 rolls in HC-110.
It was a bold move for me, as I’m not a seasoned film expert and all the guestimates are quite hard for me. The suggested time was 6:30 at 20 degrees and the results are right in front of you.
I must say I was pretty sure this wouldn’t ruin the film, the time is not critically long or short, so I expected to get something. The question was if it would be acceptable. Turned out really great in my opinion.
The film, as stated by Leslie Lazenby of FPP, dries flat and feels quite thin, but scanning was smooth without any issues in contrast to Rollei Retro 80S. Some of the photos were underexposed, but I blame the camera for this, as it’s done this already before with Kodak Tri-X. As for the contrast in the most of the pictures, I guess the dev time could be a little shorter, but it’s not over the top and I like the result. Another forum advice for this film-developer combo was to process it for 6 minutes, so maybe it wouldn’t be that contrasty, but anyway.
While searching for the receipt last week, I found an old forum thread where a person had exactly the same situation as mine. That was the thread I found the suggestions in but the funny thing was the direction the discussion took almost immediately. Instead of using the power of the collective mind and experience to help, people started arguing if this Svema film was the genuine stock from the original factory. Pretty soon they were talking about some Russian guys who sell the stock and whether you should buy it and stuff, someone posted pictures of the destroyed factory as proof that this Svema wasn’t the original and so on.
The stock has no indication whatsoever on the film itself, not even a frame number, so it is really a mystery what kind of film it is. And the FPP guys don’t really disclose their sources as far as I know.
But it doesn’t matter! I had fun shooting the film, and I’m pretty happy with the results and this is the most important part.
Next is Svema Color, so stay tuned.
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Olympus 35DC, Fujicolor Superia X-tra 800.Elifaz, 2016.
One of the greatest leisure activities we have in our desert is hiking. Because it’s scorchingly hot from June to September, it’s only in autumn and spring when we really can enjoy this. But when we do go out it is an …
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[UPD] If you received or read this post earlier, I’m very sorry for that as the post wasn’t ready and was published due to a technical issue.
Remember that time I wanted to jump off the Lightroom hook? Well, I didn’t post an update but I did cancel the subscription after that and bought another software that suits my needs, as I thought.
Olympus 35DC, Fujicolor Superia X-tra 800. Eilat, 2017.
Just don’t lose your head. In case you do, try to find it and keep it in your hands.
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