This is how I feel about my photography right now and it shows. I’ve had these two rolls of Fuji Superia 400 in my drawer for 9 months before I developed them and scanned today. Nine months! That’s a whole pregnancy right here. Why it took so long you wonder?
Well, no serious reasons to be honest. First my colour chemistry started failing and I didn’t want these rolls to come out wacky. So I had to order a new set. It took time to arrive, then it took time to mix it which literally happened yesterday.
All these steps don’t take months to complete but they did in my case because I wasn’t organised enough.
As a result, I have a practically expired film with signs of bad treatment: grain, washed-out colours etc. I don’t care that much about those esthetically but it just bums me out that all this fresh chemistry was used for some tired film to receive some subpar results. I’m disappointed not in the film but in myself.
Olympus 35DC, Fujicolor Superia X-tra 800. Eilat, 2017.
The juxtaposition of people and mannequins is quite a popular trope. After all, there’s a lot of symbolism as well as parallelism when you put a real person next to a plastic human-shape object. We’ve seen it many times in many…
Earlier this week I read this wonderful post about one of my favourite street photographers Matt Stuart. There is also a video with him talking about some of his photos and the way he works. Strangely enough, only now I’ve realized that I’ve never googled any videos with him myself, but anyway.
Matt Stuart had a huge influence on me at the time I started. Even now looking at his works I feel this urge to grab my camera and get out there to shoot some great street pics. Just like his! I guess his ability to see paradox, irony, and humour in our ordinary life resonates with what I like about surroundings, and what I’d like to see in my pictures.
This one above was taken in Riga, Latvia near the railroad station. There was some kind of open-air exhibition and I just happened to be there and take some photos. I don’t know about you, but I can see some glimpses of Stuart’s style here, considering doves and legs 😉 or maybe it’s just my emotional bias (probably).
Though I missed the photo challenge last week this one is about frames, which are aplenty in this photo. In all kinds of interpretation.
I just personally like this picture no matter how good or bad it seems to others. Regardless comparisons to masters or haute street photography. And I decided to show it to you.